bach vivaldi transcriptions

Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar. Other models for the transcriptions included concertos by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and Prince Johann Ernst of Saxe-Weimar.[1][2][3][4][5]. Wilhelm Ernst's Lutheran piety contrasted with his younger brother's alcoholism. "Le opere giovanili di Antonio Vivaldi", pp. 11, RV 565. Peters in the 1850s and by the Bach Gesellschaft in the 1890s played a decisive role in the Vivaldi revival of the twentieth century. After Violin Concerto in C minor Op. Vivaldi's violin concertos, which had just been published, gave him the guidance he needed. While there is no doubt about the authenticity of BWV 592–596, the sixth concerto BWV 597 is now probably considered to be spurious. BWV Anh. Most of these transcriptions were based on concertos by Antonio Vivaldi, but there are also works by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann, and the musically talented Prince Johann Ernst of Saxe-Weimar. A talented amateur musician, from an early age Prince Johann Ernst had been taught the violin by the court violinist Gregor Christoph Eilenstein. His other Vivaldi transcriptions were made from manuscript sources of varying integrity.9 At the same time, Bach's cousin Walther also made a series of organ transcriptions of Italian concertos: in his autobiography, Walther mentions 78 such transcriptions; but of these only 14 survive, of concertos by Albinoni, Giorgio Gentili, Giulio Taglietti, Telemann, Torelli and Vivaldi. [16], Marshall (1986) has carried out a systematic study of headings and markings in surviving manuscripts to ascertain the intended instrument for Bach's keyboard works. 1, containing twelve concerti à cinque, was published in 1708. Siciliano from Concerto No. After a concerto by Prince Johann Ernst of Saxe-Weimar, and Bach's earlier organ transcription, BWV 592. The result was that up until 1911 the transcription was misattributed to Wilhelm Friedemann. A keen amateur violinist, he is likely to have brought or sent back concerto scores from Amsterdam, probably including the collection L'estro armonico, Op.3 of Vivaldi, published there in 1711. 9. Around 1715 Johann Bernhard Bach, Johann Sebastian's second cousin, copied 12 of the concerto transcriptions in a single manuscript. Bach was Antonio Vivaldi. 3 No. Lacking any instruction to point him towards his goal, he had to do what he could in his own way, like others who set out without a guide. It was under these circumstances that Bach, as composer and performer, made his virtuosic concerto transcriptions for organ (BWV 592–596) and for harpsichord (BWV 972–987 and BWV 592a). Bach, J S: Concerto in a BWV596, after Vivaldi Op. Telemann's concerto for solo violin, TWV 51:g1, transcribed by Bach for harpsichord as BWV 985, comes from the same series of Eisenach concertos as the double violin concerto; moreover, as explained in Zohn (2008), there is evidence that the slow movement of Telemann's oboe concerto TWV 51:G2, also from the series, was borrowed and adapted by Bach for the opening sinfonia of the cantata Ich steh mit einem Fuß im Grabe, BWV 156 and the slow movement of the harpsichord concerto in F minor, BWV 1056, both dating from his period in Leipzig. Bach, Johann Sebastian : Largo in d minor from Concerto BWV 975 - Organ transcription (after Concerto RV 316 by Antonio Vivaldi) Organ solo / Intermediate / 1 … After Violin Concerto in B-flat major Op. 3 No. 3 No. 213 is a lost Concerto in F major for solo organ, after an unidentified concerto by Georg Philipp Telemann. It has generally been accepted that Bach's transcriptions were simply learning exercises. [34], Bach transcribed two concertos of Antonio Vivaldi's Op. And although Vivaldi was internationally known as a composer, his enduring fame came from being a violin virtuoso. 1 was published posthumously, some time after Bach had provided solo harpsichord arrangements for two out of six concertos contained in that bundle: Concerto in G major, after Johann Ernst's Violin Concerto in G major [scores]: Concerto in C major after Johann Ernst's Violin Concerto in C major [scores]: There is no extant model for a few of Bach's concerto transcriptions for harpsichord: History, purpose, transmission and significance, Harpsichord transcriptions, BWV 592a and 972–987, harvtxt error: no target: CITEREFSchulze1972 (, harvnb error: no target: CITEREFSchulenberg2006 (, "Concerto II: del Sig. Based on known manualiter settings within Bach's works for organ, the possible audience for performances of virtuosic keyboard compositions and the circumstances of their composition, Marshall has suggested that the concerto transcriptions BWV 972–987 might originally have been intended as manualiter settings for the organ. for organ solo. In the same year Bach also copied out all the parts of the double violin concerto in G major, TWV 52:G2, of Georg Philipp Telemann, a work that he might have acquired through Pisendel. He realised that musical ideas need to be subordinated to a plan and that a young composer's first need is a model to guide his efforts. 9, RV 230, by Antonio Vivaldi. In July 1714, however, poor health forced him to leave Weimar to seek medical treatment in Bad Schwalbach: he died a year later at the age of nineteen. After the Violin Concerto in G minor, TWV 51:g1, by Georg Philipp Telemann. The current date and time is,,,,,,,, bach-vivaldi-concerti-praeludia-sempe-fortin-cd-cover-art.jpg, 8 (Concerto in A minor for two violins and strings, RV 522): Concerto in A minor, BWV 593, After Vivaldi's Op. These works are the most elaborate of Bach’s transcriptions, and they were based on outstanding originals available to Bach in an authoritative published edition. 2 by Benedetto Marcello. The concertos Bach transcribed from Vivaldi’s Op. (German) Extra Information Arrangement of the Concerto for 2 Violins and Cello in D minor, RV 565, by Antonio Vivaldi. 1 No. I think he's unique in that respect. After the Violin Concerto in C major by Prince Johann Ernst of Saxe–Weimar (like BWV 595). 2 (1700). Harpsichordist Richard Egarr “Bach didn't just make 'simple' transcriptions, neither in this original solo concerto by Vivaldi. 9 (Violin Concerto in D major, RV 230): Concerto in D major, BWV 972, and earlier version BWV 972a, After Vivaldi's Op. 3 No. On Johann Ernst's death in 1707, he was succeeded as coregent by his elder son Ernst August, who lived with his younger stepbrother, Prince Johann Ernst, outside the ducal Wilhelmsburg in the Rotes Schloss. 3 No. 4: Concerto in D minor, BWV 987, BWV 595: organ version (first movement only), Federico Maria Sardelli. Benedetto was a more prolific composer than his elder brother Alessandro. He had often heard them praised for their artistic excellence and decided upon the happy idea of arranging them all for the clavier. Vivaldi/Bach Concerto in D minor for piano & strings Transcriptions by Julia Zilberquit Shostakovich Symphony No. The meteoric success of Vivaldi in the early eighteenth century was matched by his descent into almost complete oblivion soon after his death in 1741. 10 attributed to Giuseppe Torelli).[26][27]. 3 No. The demands of compositional quantity were great, and the transcription process shortened the length of time necessary to come up with new works or arrangements. Although Forkel's account is generally acknowledged to be oversimplified and factually inaccurate, commentators agree that Bach's knowledge and assimilation of the Italian concerto form—which happened partly through his transcriptions—played a key role in the development of his mature style. 1 in D major (after A. Vivaldi), BWV 972; Concerto No. After Violin Concerto in G major, RV 299, by Antonio Vivaldi. In fact the new edition of the concerto transcriptions published by the Bach-Gesellschaft in the 1890s and the ensuing controversy in assessing their authorship and that of the original concertos in the 1910s sparked a reevaluation of Vivaldi and subsequently the rediscovery of his "lost" works. One interesting thing about JSB is that his music sometimes integrates French, German and Italian styles. 13 The works are: Concerto in G major (after Duke J. Ernst), BWV 592a; Concerto No. He was thus led to study their structure, the musical ideas on which they are built, the pattern of their modulations, and many other characteristics. The pleasure His Grace took in his playing fired him with the desire to try every possible artistry in his treatment of the organ.— Nekrolog, Carl Philipp Emanuel Bach and Johann Friedrich Agricola This concerto is a transcription of a concerto by Prince Johann Ernst of Saxe-Weimar. [14], Published records of Bach's life include his Nekrolog or obituary, written in 1754 by his son Carl Philipp Emanuel Bach and former pupil Johann Friedrich Agricola, and the 1802 biography of Johann Nikolaus Forkel. After Vivaldi's Op. In the often quoted passage from his biography, Forkel wrote:[15]. Bach would also have known Telemann well then since he was court musician at Eisenach, Bach's birthplace. Vivaldi*, Orchestre "Pro Arte" De Munich*, Kurt Redel, Pierre Cochereau - Vivaldi A Notre-Dame - Quatre Concertos Pour Orgue Et Orchestre - Transcriptions De J.S.Bach ‎ … 4 No. Their publication by C.F. Vivaldi’s newly published Opus 3, L’estro armonico.1 The chart to the right shows the extant concerto transcriptions made by Bach; there are 23 transcriptions from 21 originals.2 Bach was not alone in mak-ing concerto transcriptions; from Johann Gottfried Walther, his colleague in Wei-mar, we have 14 surviving transcriptions.3 As well as music-making in the Wilhelmsburg, Bach was almost certainly involved in the parallel more secular musical events in the Rotes Schloss organised by August Ernst and Johann Ernst. A number of his concertos were published posthumously by Telemann. It is thought that most of the transcriptions were probably made in 1713–1714. Once back in Weimar, he studied composition with Walther, concentrating on the violin concerto. Peters by Friedrich Griepenkerl. Williams: Transcription for 2 pianos: Pedal-Exercitium, BWV 598: The publication of Bach's transcriptions has been recognized by Vivaldi scholars as a decisive step in his revival. And I'm sure it's very meaningful -- the three styles involve different, prime facie incompatible, political ideas. Bach’s organ and harpsichord transcriptions BWV 592–596 and 972–987 belong to the year July 1713 to July 1714, were made at the request of Prince Johann Ernst von Sachsen-Weimar, and imply a definite connection with the concert repertory played in Weimar and enlarged by the Prince’s recent purchases of music. Bach wrote these keyboard transcriptions, from orchestral concerti by Vivaldi and Marcello, while he was a young man. The following year, when Bach himself was appointed as organist in Weimar in the ducal chapel or Himmelsburg, he not only had at his disposal the recently renovated chapel organ but also the organ in the Stadtkirche. The autograph manuscript is remarkable for its detailed specifications of organ registration and use of the two manuals. The Organ Concerto No 5, in D minor, was written between 1713 and 1714, while Bach served as court organist in Weimar (1708--1717). The organ concertos of Johann Sebastian Bach are solo works for organ, transcribed and reworked from instrumental concertos originally composed by Antonio Vivaldi and the musically talented Prince Johann Ernst of Saxe-Weimar. Bach's transcriptions of Vivaldi. Buy CD or download online. Evidently he was fascinated with it, he wrote various pieces in which there's an explicit mention of the "italian style" in the titles (like the "Italian Concerto for harpsichord", for example; the original name is "Concerto after the Italian taste"). [10], Later in July 1713, Prince Johann Ernst returned from Utrecht after studying there for 2 years. Bach was considered an incomparable organist whose improvisations were celebrated beyond German borders. Prince Johann Ernst of Saxe-Weimar's Op. 6 in A minor: II. Of these, the main body were by Vivaldi, with others by Telemann, Alessandro and Benedetto Marcello and Johann Ernst himself. Bach himself transcribed solo concertos by Italian composers (Vivaldi, Torelli a.o.) 8, RV 522. 3 (Violin Concerto in G major, After Vivaldi's Op. 3 No. Bach admired Vivaldi, and the "italian style" in general. Transcription of a concerto by Vivaldi (RV 230) Extra videos. Bach realised his other transcriptions of concertos by Vivaldi after versions circulating as manuscript. 16 Konzerte nach verschiedenen Meistern, BWV 972–987 (Bach, Johann Sebastian) This page is only for complete editions and multiple selections from the collection here. The sequence of the concertos in this manuscript is possibly as intended by the composer. Commentators have found Schulze's arguments persuasive, but nevertheless point out that not all the transcriptions need have been made in the period from July 1713 to July 1714 when the Prince was back in Weimar. There are, or have been, attribution issues regarding some of the models Bach used for his keyboard transcriptions: Bach transcribed seven concertos by Antonio Vivaldi for solo harpsichord (RV 230, 265, 299, 310, 316, 381 and 813), and three for solo organ (RV 208, 522 and 565). 1: Concerto in B-flat major, BWV 982, After Johann Ernst's Op. 1 No. During this time, Bach made about twenty keyboard transcriptions of concertos by other composers; five were written expressly for the organ. Such composers can only be "finger composers" (or "keyboard cavaliers" as Bach called them later on in his life): that is, they let their fingers tell them what to write instead of instructing their fingers what to play. Transcription has formed an integral part of musical development across the centuries. When Bach went to work on the “Vivaldi Transcriptions,” he fully respected the original compositions. 4 and 7: Apart from the concertos after models by Antonio Vivaldi (including one formerly attributed to Torelli), Bach also transcribed concertos by the Venetian brothers Alessandro and Benedetto Marcello. 11 (Concerto in D minor for two violins, cello and strings, RV 565): Concerto in D minor, BWV 596, After Vivaldi's Op. Asking for permission to stay longer in Weimar, he states that Prince Johann Ernst. J.S. Alexandro Marcello" in, Organ concerto (Bach) § Weimar concerto transcriptions, Concerto for unaccompanied harpsichord (Bach) § Weimar concerto transcriptions, Johann Sebastian Bach: Concerti nach Vivaldi u.a. This concerto is an transcription of Antonio Vivaldi's double violin concerto, Op. The transcriptions themselves became known through a variety of sources. [19], Although no precise dating of the concerto transcriptions is possible, combining a careful scientific analysis of surviving manuscripts—including their watermarks—with a knowledge of documented events in Bach's life has given a clearer idea of when they might have been written: it is generally thought that most were probably written in the period 1713–1714, but that some could have been written later. This concerto movement is a transcription of a composition by Prince Johann Ernst of Saxe-Weimar. JS Bach: The Transcriptions of Concertos by Vivaldi. 6 in E flat major (after unknown source), BWV 597: Bach-G. Shaw: Transcription for piano Bach-Ch. [12], Schulze (1972) harvtxt error: no target: CITEREFSchulze1972 (help) has given the following explanation for the transcriptions:[13]. Despite the fact that Carl Friedrich Zelter, director of the Sing-Akademie zu Berlin where many Bach manuscripts were held, had suggested Johann Sebastian as the author, the transcription was first published as a work by Wilhelm Friedemann in 1844 in the edition prepared for C.F. Harpsichords were available to Bach at both venues. of Vivaldi's Violin Concerto in D major, RV 230) Keyboard Concerto in D Major, BWV 972 (arr. Buy Tickets. The markings are also significant for what they show about performance practise at that time: during the course of a single piece, hands could switch manuals and organ stops could be changed.[22][23][24]. In Great Britain, France and particularly his native Italy, musical taste turned against him and, when he was remembered, it was just through salacious anecdote. In this article, we shall analyze Bach’s transcription process in his three organ concertos after Vivaldi, and BACH Transcriptions of Concertos by Vivaldi and the Marcellos: in D, BWV 972; in G, BWV 973; in d, BWV 974; in g, BWV 975; in C, BWV 976; in F, BWV 978; in G, BWV 980; in c, BWV 981 • Read more Sophie Yates (hpd) • CHACONNE 0796 (76: 28) Around 1714 Johann Sebastian Bach suddenly and apparently without provocation transcribed and adapted a number of Italian instrumental concertos, … Johann Sebastian Bach. 11; Bach, J S: Concerto in d BWV593, after Vivaldi Op. of Vivaldi… Preview SONG TIME Keyboard Concerto in D major, BWV 972 (arr. As explained in Williams (2003), their main purpose was to enable the concerto to be heard at Bach's desired pitch. 1, RV 383a): Concerto in G major, BWV 980 (harpsichord), After Vivaldi's Violin Concerto in G minor, RV 316 (later version published as Op. By ComposerOfAvantGarde in forum Classical Music Discussion, By Op.123 in forum Classical Music Discussion, By Aggelos in forum Classical Music Discussion, By jeanmarc in forum Classical Music Discussion, All times are GMT +1. Johann Ernst studied the keyboard with Bach's distant cousin Johann Gottfried Walther, after he became organist at the Stadtkirche in Weimar in 1707. 6, RV 316a): Concerto in G minor, BWV 975 (harpsichord), After Vivaldi's Violin Concerto in G major (later version published as Op. They are scored for two manual keyboards and pedal.[21]. - Italian organist Daniele Boccaccio wrote these transcriptions of Bach’s violin concertos out of deep love for the music, and a deep love and understanding of his own instrument, the result being a highly original, fresh, transparent and vibrant interpretation of these well known masterpieces. The remaining organ transcriptions come from copies made in Leipzig by Bach's family and circle: these include his eldest son Wilhelm Friedemann Bach, whose organ repertoire included the transcriptions; his pupil Johann Friedrich Agricola; and Johann Peter Kellner. Although in early music the intended instrument was often not specified, but left to the performer, this was often not the case with Bach's music. This concerto is a transcription of Antonio Vivaldi's Grosso Mogul violin concerto, RV 208. After Violin Concerto in E major Op. 8, RV 299): Concerto in G major, BWV 973 (harpsichord), After Vivaldi's Violin Concerto in D minor, RV 813 (formerly RV Anh. In the Wilhelmsburg, Wilhelm Ernst had already revived the court orchestra, of which Bach eventually became Concertmaster in 1714. 12 (Violin Concerto in E major, RV 265): Concerto in C major, BWV 976, After Vivaldi's Violin Concerto in B-flat major (later version published as Op. The publication of these transcriptions by C.F. For the organ transcriptions there is no known sequence that may go back to Bach's time. 3 No. For arrangements, new editions, etc. Schulze has further suggested that during his two year period studying in the Netherlands, Prince Johann Ernst is likely to have attended the popular concerts in the Niewe Kerk in Amsterdam where the blind organist Jan Jakob de Graaf performed his own transcriptions of the most recent Italian concertos. About Us; Chandos Records is one of the world's premier classical music record companies, best known for its ground breaking search for neglected musical gems. Other circumstantial evidence concerning music-making in Weimar is provided by a letter written by Bach's pupil Philipp David Kräuter in April 1713. [11], Johann Ernst's enthusiasm for the concerto fitted well with Bach's own interests. 1 No. 3 No. Although Bach served as Concertmaster in Weimar from 1714–1717, when he is presumed to have composed his own instrumental concertos, the only surviving works in Italian concerto-form from this period are his transcriptions of works by other composers. Moreover, in adapting ideas and figurations originally conceived for the violin to the keyboard, Bach was compelled to think in musical terms, so that his ideas no longer depended on his fingers, but were drawn from his imagination. [17][18], The reception of the concerto transcriptions is reflected in their transmission: they were less widely disseminated than Bach's original organ or keyoard works and were only published in the 1850s during the mid-nineteenth century Bach revival. 3 No. Vivaldi? 5 in D minor (after A. Vivaldi), BWV 596: Bach-Beard: Transcription for piano Bach-Lefébure: Gigue from Concerto for solo organ No. All these piano transcriptions are arranged for two hands (piano solo). After Oboe Concerto in D minor by Alessandro Marcello.[25]. More significantly perhaps, the concerto transcriptions played a decisive role in the Vivaldi revival which happened only in the following century. "Vivaldi, Antonio -- Violin Concerto No. Sponsored by: Cone Health. After Violin Concerto in B-flat minor, RV 383 by Antonio Vivaldi. Most of these transcriptions were based on concertos by Antonio Vivaldi. see (or create) separate pages for individual works linked in the General Information section below. Johann Sebastian Bach was a court musician in Weimar from 1708 to 1717. 3, L'estro armonico for organ (BWV 593 and 596), and three concertos of that collection for unaccompanied harpsichord (BWV 972, 976 and 978):[35], Later Bach would arrange Vivaldi's Op. [20], These transcriptions for organ have been dated to 1713–1714. 10 (RV 580) to a concerto for four harpsichords and strings (BWV 1065).[34]. 1 by Prince Johann Ernst of Saxe-Weimar. These have customarily been divided into two distinct groups, his works for organ and his works for harpsichord or clavichord. 7 No. 3 No. 8; Bach, J S: Couperin Aria in F major, BWV587; Bach, J S: Fasch Trio in C minor, BWV585; Bach, J S: Organ Concerto in A minor (after Vivaldi), BWV593 Peters in the 1850s and by Breitkopf & Härtel in the 1890s played a decisive role in the Vivaldi revival of the twentieth century. The second concerto in that collection, in E minor, had a violino principale in its first two movements. Consequently, the name of the COMPOSER should be Antonio VIVALDI, and JS Bach should be credited as the ARRANGER. Though ordained a priest in 1703, within a year of being ordained – according to his own account – he no longer wished to celebrate mass because of physical complaints ("tightness of the chest") which pointed to Chandos: CHAN0796. This transcription of Vivaldi's concerto had the heading on the autograph manuscript altered by Bach's son Wilhelm Friedemann Bach who added "di W. F. Bach manu mei Patris descript" sixty or more years later. In practical terms, the concerto transcriptions were suitable for performance in the different venues in Weimar; they would have served an educational purpose for the young prince as well as giving him pleasure. BMC 36 - VIVALDI-BACH: Concerto Transcriptions for Harpsichord Antonio Vivaldi was born in Venice on March 4th, 1678. Bach's transcriptions for harpsichord of a number of Italian and other concertos date from his years in Weimar, probably 1713-1714. Sophie Yates (harpsichord) 10, RV 580 I know too that when the new organ in Weimar is ready, Herr Bach will play incomparable things on it, especially at first ... Kräuter's letter ties in with the organ repairs by Trebs made between June 1713 and May 1714. 1 No. 1 No. Artist: Sophie Yates Title: Bach: Transcriptions of Concertos by Vivaldi Year Of Release: 2013 Label: Chandos Genre: Classical Quality: FLAC (image + .cue, log, booklet) Total Time: 76:26 min Total Size: 508 MB WebSite: Album Preview Bach’s first attempts at composition, like all such efforts, were unsatisfactory. Bach & Vivaldi - Transcriptions for Guitar by Marko Feri: Johann Sebastian Bach: French Suite No.1, BWV 812 Johann Sebastian Bach: French Suite No.2, BWV 813 Antonio Vivaldi – Sonata No.1, RV47 Antonio Vivaldi – Sonata No.4, RV 45 Format: Digital release (PDF), with fingerings. "Bach introduced numerous small changes into the solo parts, bass-lines, and often the inner parts as well, often adding voices to enrich the textures,: says Peter Watchorn in his recording of the harpsichord transcriptions. During his first brief period in Weimar in 1703 Bach was employed as a court violinist for seven months by Johann Ernst III, Duke of Saxe-Weimar, who ruled jointly with his elder brother Wilhelm Ernst, Duke of Saxe-Weimar. [9], Early works like BWV 912a and BWV 967, probably composed before 1707, also display concerto-like elements. ... and virtuoso violinist. original piano transcriptions of works by Antonio Vivaldi (1678 - 1741), listed by genre and ordered by opus and/or Ryom number. 3 provide the best avenue for this study. 1 No. This manuscript, shelf mark P 280 in the Berlin State Library, starts with the harpsichord transcriptions BWV 972–981, followed by the organ transcription BWV 592, and ends with BWV 982. Earlier compositions had been brought back to Weimar from Italy by the deputy Capellmeister, Johann Wilhelm Drese, during his stay there in 1702–1703. - III, "Composition as arrangement and adaptation", "Emulation and Inspiration: J. S. Bach's Transcriptions from Vivaldi's, Universitäts- und Landesbibliothek Darmstadt, Violin Concerto in G major (Johann Ernst Prinz von Sachsen-Weimar), Organ Concerto in A minor, BWV 593 (Bach, Johann Sebastian), Concerto for 2 Violins in A minor, RV 522 (Vivaldi, Antonio), Organ Concerto in C major, BWV 594 (Bach, Johann Sebastian), Organ Concerto in C major, BWV 595 (Bach, Johann Sebastian), Violin Concerto in C major (Johann Ernst Prinz von Sachsen-Weimar), Organ Concerto in D minor, BWV 596 (Bach, Johann Sebastian), Concerto in D minor, RV 565 (Vivaldi, Antonio), 16 Konzerte nach verschiedenen Meistern, BWV 972–987 (Bach, Johann Sebastian), Violin Concerto in D major, RV 230 (Vivaldi, Antonio), Violin Concerto in G major, RV 299 (Vivaldi, Antonio), Oboe Concerto in D minor, S.Z799 (Marcello, Alessandro), Violin Concerto in G minor, RV 316a (Vivaldi, Antonio), Violin Concerto in E major, RV 265 (Vivaldi, Antonio), Violin Concerto in G major, RV 310 (Vivaldi, Antonio), Violin Concerto in B-flat major, RV 383a (Vivaldi, Antonio), Violin Concerto, TWV 51:g1 (Telemann, Georg Philipp), 12 Concerti Grossi, Op.1 (Marcello, Benedetto), L'estro armonico, Op.3 (Vivaldi, Antonio), Toccata and Fugue in D minor ("Dorian"), BWV 538, Fantasia and Fugue in G minor ("Great"), BWV 542, Prelude and Fugue in E minor ("Wedge"), BWV 548, Eight Short Preludes and Fugues, BWV 553–560, Toccata, Adagio and Fugue in C major, BWV 564, Prelude (Toccata) and Fugue in E major, BWV 566, Fantasia ("Pièce d'Orgue") in G major, BWV 572, Passacaglia and Fugue in C minor, BWV 582, Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769, Capriccio on the departure of a beloved brother, Concerto transcriptions, BWV 592–596 and 972–987, List of compositions by Johann Sebastian Bach, List of fugal works by Johann Sebastian Bach, List of concertos by Johann Sebastian Bach,, Wikipedia articles incorporating the Cite Grove template, Wikipedia articles incorporating the Cite Grove template with a url parameter, Articles with Italian-language sources (it), Articles with German-language sources (de), Creative Commons Attribution-ShareAlike License.

Chris Anderson Stella By Starlight, Mark 4 26-34 Reflection, Ap Calculus Ab Final Exam With Solutions, Shoe Display Rack, Skiddaw For Beginners, Puppy Music Sleep, Lea Thompson Youth, Richards Bay Weather, 2 Bhk Flat For Rent In Jogeshwari East, Mathura Std Code, Gcuf Llb Fee Structure 2020, Unisa Nutrition Short Courses, How Subconscious Mind Affects Behavior,

Leave a Reply